Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off


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Prince Charles 'plans to strip back the royals to just William, Harry and their wives and children when he Prince Charles will hold 'tell all' crisis talks with Prince Andrew over Jeffrey Epstein scandal as royal Maybe that is the same reason why all those other black people were on the sidelines and in the mirror. They were tired of trying to interact with white people who did not even have the slightest interest in knowing where they were coming from, what they are saying, or respecting and appreciating what they value. It speaks so much for our society today, yesterday, and, sadly and most likely, tomorrow.

Here is my theory: White people should learn or at least try to learn how to dance black while simultaneously either valuing it as much as they value their dance or at least respecting it as much as they respect their dance. Remember now, I am using dance as a synonym for language and as a synonym for culture. Keep this in mind and it may be easier to replace dance with culture and vice versa in this passage. The reason that it is critical for white people to learn the dance of black culture is so that white people can be not only aware of black people's perspective, be sensitive to it, and value it as good and valid, but so they can work to eliminate the privilege given to whiteness—meaning those characteristics and people in America that is termed as white.

Having privilege here means having special value. So white in America has special value at the expense of black. That means dismantling the privilege given to knowledge that is predominantly mind-originated and working for a valuing of knowledge that is holistic meaning knowledge that incorporates the body as well as the mind.

That means dismantling the privilege given to aspects of American society that have been structured and conditioned primarily and predominantly by white people—i. This work aids the process of eliminating racism which is having prejudice ex. A white person stopping a black person from getting X job because that black person is not white, culturally or phenotypically. Racism is also believing in the inherent superiority of a particular race.

The implication of believing in the inherent superiority of a particular race is that all those that do not fall into that category become less than or somehow deficient or down right bad. Now, what that means is that white culture or features have become sacred in American society—hence the statement, "White is always right. Let me specify here. I do not mean that white gets devalued when I say white privilege should be dismantled. No, on the contrary, white people should value their whiteness whatever that means for people , just not at the expense of another.

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Shoot, I value my blackness I know what that means for me. Email me about it if you want to know. Don't eliminate privilege by self-hatred, white people. Eliminate privilege through either working to give everyone privilege value or conversely, giving no one privilege value over another. One may ask why blacks don't just learn to dance with white people instead of white people learning to dance with blacks.

Well, to whoever you are thinking this, what I have to say is that black people have been shucking and jiving with white people for years. It's time for whites to give up some privilege, for peace's sake. For our survival, black people had to know the white person's rhythm culture.

Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off

I would always tell my professors, why can't I just talk to you or debate with you rather than write a paper? Or why can't I write a poem or do a dance instead of writing an essay? This is not saying that writing is not important, for it is, but why can't I couple it with another form of expression or even another dialect of English? I believe this has to do with valuing and devaluing.

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This is also represents a battle inside myself to stay sane because I have come to value certain aspects of white culture, but also know that those aspects are rooted in a disregard, disrespect, and a devaluing of black culture, something that I have internalized and made sacred inside myself. So often, this battle, at times, makes me want to throw away or destroy anything that is white inside myself or any symbols of whiteness around me or conversely, throw away or destroy anything that is black inside outside myself.

He says. His [the Negro's] double-consciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. That is what this article intends to do. So now I am saying white people have to learn to dance with us, if they want to unlearn racism and reconcile its effects. I realize that I have gone as far as I can go with trying to dismantle racism.

White people, it is your turn. It can only be finished if you let it be finished. Furthermore, it is important for white people to know and value the dance of black people's culture or of any person of color's culture because white people in this country have been bred to be mono-cultural and bred to devalue other ways of being that are not like theirs.

So, in a sense my particular double consciousness is both a blessing and a curse. However, it does not have to be a curse. It is only a curse because one of the consciousnesses that I have come to value degrades and tries to eliminate the other consciousness that I have strongly internalized as my basic self.

It is a blessing to have more than one way of looking at the world. For example, I learned in a neurobiology class that the nervous system has at least six ways to receive the same information: hearing, touch, taste, smell, sight, and proprioceptors.

As my professor said, "It helps us get things less wrong as well as adds more depth to what we perceive. In other words, our body purposely has multiple perspectives that come into conflict with one another in order to get the sharpest notion of what actually is going on.

This is reason enough to unlearn racism. Racism prevents people from a depth and sharpness in their perception. Conflicting realties are not inherently bad.

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People make different ways of seeing bad. Our nervous system seeks different perspectives, knowing that difference can not only be helpful, but also good. To relate this again to dancing: That is not telling every white person to go find a black person and ask them to teach you their culture. That is ridiculous.


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Try to find out what they are in a respectful manner that has in mind that not every black person, all or any of the time, is interested in teaching white people their grammar. Keep in mind that there are some things that cannot be spoon-fed and require the arduous task of experience and learning by oneself.

Also keep in mind, like my friend Kathy said, give black people the time, space, and respect to appreciate, enjoy, marvel in, get relieved by their own culture, by themselves.

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Also, more importantly, keep in mind that black people learn your grammar by spending time with white people and in white and white-originated institutions. That is not saying that white people should flood black communities and black institutions that has all sort of problems like gentrification, and violating the importance of respecting organizations and spaces for affinity groups. What it is saying is that something will be lost if you just learned black culture through books, movies, television, music videos on BET and MTV, jazz C.

Basing one's view of a people solely on any one of these can be problematic on so many levels, especially since the media grossly misrepresents or complete stereotypes of what they choose to portray of black culture.


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This does not make everything accurate or peaceful, but like I once said, you would be skeptical of someone's ability to speak Spanish if they told you they never met a native-Spanish speaker, never been to a Spanish-speaking country, and solely learned Spanish and what they know about Spanish culture from reading a book. If white people begin to work to actively dismantle the privilege given to whiteness and give value to blackness, if this occurs, one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers gettin' down wit their bad selves.

If this occurs, I believe white people and black people can finally dance together, well at least figuratively. But what I truly mean is valuing their contributions as a people to not only American society, but also American identity and culture. Your analogy of dance to grammar and conversation gave me such clarity on dance. Your article made me ashamed to be white, not for the first time. Thanks for taking the time to write such an insightful article. To start off, I skimmed through the comments and though I'm not surprised, I'm sad to see so many ignorant people there.

It's clear they'd much rather stubbornly argue than try to understand your point of view. I don't go to clubs much and I've only danced with a few black people, but as a passionate dancer myself I can totally see what you're saying about most white people not being in tune with the music, and definitely not in tune with black people.

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It's rare that I find other people who are on the dance floor simply to dance, and not to grind on each other that's fine to do, I just prefer to be left out of it , but the people I've met who were there to dance have often been people of color. I really enjoyed your essay, and though I might need to re-read some parts to fully understand them you articulated everything beautifully, but English isn't my first language I will definitely try to keep it in mind and, when I feel I fully understand it, try to communicate it and it's importance and link this article to other white people.

The most sophisticated forms of dance are Indian classical dance and European classical dance ballet. Though quite different, there is something otherworldly about both those grand traditions apart from their incredible complexity. Quite frankly, who cares about modern dance which appeals to the subjacent nature? This is truly an era of widespread hedonism. I'm a half white half asian person who grew up in a black church. I can not dance unless it's a bon odori dance or the very basics of a couple of Latin dances, or the electric slide.

Coming from my own experiences and background, I agree with most of this. I do believe it's a language. And I do think that a lot of misunderstandings happen cuz of the culture barriers.

Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off
Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off
Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off
Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off
Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off Shut Up and Dance!: The Joy of Letting Go of the Lead-On the Dance Floor and Off

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